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鹿山道格里客栈的附属小店之一,我的音乐,电影,视觉,杂志日志       


鹿山道格里客栈 @ 2007-02-05 18:33

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鹿山道格里客栈 @ 2007-02-05 18:30


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鹿山道格里客栈 @ 2007-02-05 01:38

I will be the first to announce that I was not a huge fan of the original film. While I thought that it was interesting to see as well as an untapped concept in Hollywood, I felt that the characters were too forced coupled with a very amateurish and repetitive moments. It was an average film that seemed to be lacking bits of the human element. It needed something more. At the time I couldn't put my finger on it, but after seeing Before Sunset, I could see what it was. Maturity. This may sound strange, but I felt that Jesse and Celine were too perfect in the first film. They lacked connectiveness to the average person. I couldn't see myself in this situation. Perhaps if I would have seen the original film in 1995 instead of a couple of years ago, it would have been closer, but I just couldn't capture the moment. In Before Sunset, I feel head over feet for both Jesse and Celine.

They seemed to have grown and experienced a life that was all their own. They seemed more passionate, more powerful, and especially more human. From their first meeting in the bookstore until the finale in Celine's apartment, I was fully immersed in their conversation. I wanted to know everything I could about both of them, and I did. I loved hearing about Celine's passion for the environment, and Jesse's distraught marriage. It brought these two characters out of the screen and into our lives. Whether it was a scripted story or if Hawke and Delpy were playing off each other, it worked. I witnessed in this film two people who were made for each other. It was more obvious in this film than in the prior outing.

What made this film work on such a higher level than the first were the actors. They have grown and emerged as two important commodities in the Hollywood community. This is probably Hawke's greatest performance in years. His relaxed actions made us feel relaxed around him, yet quietly pushing for him to be closer to Celine. His pushy sexual advances seemed less forced and instead more like honest love. He looked and felt like a man that has been dreaming of this encounter all his life, and it finally happened. You could see the excitement in his eyes to see Delpy again. It was more than just acting, he put so much heart into this performance that it was clearly displayed for all to see. The same goes for Delpy. At the beginning of this film, I didn't like her character. She seemed rough and rigid around the edges, constantly giving off that feeling that she was harboring a secret that she didn't want Hawke to know. As her character grew in this film, I understood why. She had a different life after the encounter than Hawke did. While he still longed for Celine in his heart, he did move on. She longed for Jesse in her heart, and to this day could not find anyone to replace his purity. I loved Celine much more in the sequel because she kept us guessing. Did she remember their night together? Did she really loose her grandmother, or did she just not show up that day in Vienna? Was the song just for Jesse? So many questions left me wanting more and more and more.

Finally, I would like to say that Linklater is growing with his films, and this was a crowning achievement for him. He powerfully and delicately built a sequel that was for superior than the original. He continued with a similar format as the first, but gave us stronger characters and another beautiful city. The language in this film is intense. Listen to the words that come from Ethan and Julie, they embody so much of our culture and our lives. There were moments when I felt they were speaking thoughts directly from my mind. Everything in this film was connected and worked to the fullest extent of cinematic possibility.

Overall, this was a brilliant film. Linklater captured the essence of these two heart-struck people and proved that it could be filmed. This is one of the ultimate love stories that will remain on your minds far after the film is over. The intimate final lines will continually reverberate as the best ever in a movie. This was a huge step up from the original, and is one of the best films of the year. If you were not a fan of the Before Sunset, I suggest that you check this out. It is a mature film that explores the power of love in a way that no other Hollywood film could. I would not be surprised if we saw the title of this film in the Oscar celebration this year. Check out this film to hear social commentary of our lives, fall in love, and especially to see the beauty of Paris.



 
鹿山道格里客栈 @ 2007-02-02 22:31

昨天去淘碟,终于找到梦寐以求N年的D9的爱在黎明破晓前。迫不及待地回家打开电视,眼睛含着泪模模糊糊地看完了这部电影。
 
杰西和塞林在火车上相遇,两人聊得很投机,于是做出一个疯狂的决定,他们在维也纳下车,在这个城市逗留了一夜,然后在第二天黎明破晓前再次各奔东西......
 
两人于是开始了漫长又短暂的一天,他们聊自己的人生,自己的爱人,自己的家庭,他们迫切地想要了解对方的故事,于是一段段诗意的,随意的,惬意的谈话漫游在维也纳的上空......
 
黎明破晓前两人在火车站泪别,相约六个月后再在此地重逢,叙旧......
 
我也有过类似的经历,当然,没有电影这般的巧合,只是我也曾经遇到过一个即将远行的人,可是就在他临走前,我们共同旅行,在苏州城的夜晚,我们伫立在枫桥上,听着寒山寺的钟声,互相讲述自己家庭的故事。我回忆着小时候的梦想,我一直期望能在这样一个静谧的夜晚,闻着桥下浅缓的流水,听着不远处安详的晚钟,静静闭眼思考。在那一夜我的梦想终于实现,和一个自己相识,相交的挚友,共同体会着这份难得的安静。那一夜,永生难忘。
 
第二天,我们去了虎丘,在浓密的竹林深处,我们盘腿坐着,漫无天日地聊着各自的生活。偶尔,清风徐来,远处隐约可见的小亭笔直地矗立在山丘上,好像也参与进了我们的对话,那一天,永生难忘。
 
第三天,我们去了上海,晚上九点的外滩,人烟逐渐散去,天下起了小雨,我们共撑一把伞,慢慢地走着,走着,直到裤腿全部湿透。
 
第四天,杭州西湖畔,天阴沉沉的,偌大的西湖岸边仿佛只有我们两人存在,我们来到茶酒时代的一个小酒吧,点了一壶龙井茶,抬头郁郁葱葱的桂花树遮蔽了天日和酷热。曲径通幽,蜿蜒辗转的小路边有好多小酒馆,蟋蟀的低鸣,微风的吹拂,各种小房间里时而清晰,时而模糊的爵士乐,真是让人做梦也醉了。
 
第五天,杭州远郊的一个无名古镇,夜晚有点清凉,三条小水穿镇而过。我们在一家凌晨仍在营业的冰淇淋店,和老板交谈,玩乐,屋外毛毛细雨翩然而至,屋檐开始嘀嗒作响,可是屋内一片暖和,柔和的淡黄色光线依稀打落在窗外的驳船上,船微微摇晃着,木头和河沿撞击发出一些呆板的声音。有一面墙贴满了各种旅人的小纸片,我拿起一直斑驳的笔,写上,5月3日,上塘,彭竞超和...在该店小憩,在一秒钟的时间内,爱上了这个地方...和另一个人。
 
第六天,离别,送走他,我一个人在外滩,看着浦东的高楼,静静回味发生的一切...没有奢求这些事再发生一遍,只是想把它贮藏进回忆里,封存。